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BEGIN:VEVENT
DTSTART:20251026T013000Z
DTEND:20251026T033000Z
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SUMMARY:The Tallest Man on Earth
DESCRIPTION:"Music is my primary way of asking really loud questions. Most of my songs are big life questions\, how to live and function in this world".\n\n\n\nThe Swedish singer-songwriter troubadour Kristian Matsson\, better known as The Tallest Man on Earth has a rare talent for captivating an audience with just his raw\, grainy voice and a guitar. He plays various string instruments\, ranging from acoustic guitar\, banjo and he recently picked up and started exploring the realm of the violin as well. The coming year will see him on the road again through Europe and North America.\n\n\n\nThe project of Kristian Matsson - who has spent much of the last 19 years touring around the world as The Tallest Man on Earth - has captivated audiences using "every inch of his long guitar cord to roam the stage: darting around\, crouching\, stretching\, hip-twitching\, perching briefly and jittering away " (The New York Times). In 2020\, Matsson left New York City and returned to his farm in Sweden where he drowned out his thoughts by manically growing vegetables in his garden. It was only near the end of 2021\, as he began to tour again\, that the inspiration returned. "When I'm in motion\, I can focus on my instinct\, have my daydreams again. When I was finally able to tour again\, I started writing like a madman." He eventually had a collection of songs\, revealing what would become Henry St\, an album that sees Matsson exploring his own stubborn optimism and "how to be a person in this world".\n\n\n\nAfter 2015's Dark Bird Is Home\, described by Pitchfork as his "most personal record... surreal and dreamlike\," and his self-released I Love You\, It's a Fever Dream in 2019\, Kristian Matsson returned in 2022 with the intricate cover album Too Late for Edelweiss. In 2023\, he unveiled his sixth album\, Henry St.\, marking the first time he recorded with a full band. "For most of my career\, I've been a DIY artist\, driven by the feeling that I didn't know what I was doing\, so I just handled everything myself\," Matsson explained. But with Henry St.\, he craved the creative spark that comes from collaboration and invited his friends to join him in the studio.\n\n\n\nCritics often draw comparisons between The Tallest Man on Earth and Bob Dylan\, citing similarities in both songwriting and vocal style. Matsson himself has acknowledged Dylan's influence\, revealing that he started listening to him at the age of fifteen. Fascinated by Dylan's covers\, he delved into their origins\, which gradually introduced him to early American folk artists like Pete Seeger and Woody Guthrie. However\, Matsson is quick to distance himself from being part of any specific tradition\, stating\, "I don't want to be part of a tradition. I just want to do what feels natural to me. This is how I play\, and this is how I write songs".
X-ALT-DESC;FMTTYPE=text/html:<strong><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">&quot\;Music is my primary way of asking really loud questions. Most of my songs are big life questions\, how to live and function in this world&quot\;.</span></strong><br />\n<br />\n<span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">The Swedish singer-songwriter troubadour Kristian Matsson\, better known as The Tallest Man on Earth has a rare talent for captivating an audience with just his raw\, grainy voice and a guitar. He plays various string instruments\, ranging from acoustic guitar\, banjo and he recently picked up and started exploring the realm of the violin as well. The coming year will see him on the road again through Europe and North America.</span><br />\n<br />\n<span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">The project of Kristian Matsson - who has spent much of the last 19 years touring around the world as The Tallest Man on Earth - has captivated audiences using &ldquo\;every inch of his long guitar cord to roam the stage: darting around\, crouching\, stretching\, hip-twitching\, perching briefly and jittering away&hellip\;&rdquo\; (The New York Times). In 2020\, Matsson left New York City and returned to his farm in Sweden where he drowned out his thoughts by manically growing vegetables in his garden. It was only near the end of 2021\, as he began to tour again\, that the inspiration returned. &ldquo\;When I&rsquo\;m in motion\, I can focus on my instinct\, have my daydreams again. When I was finally able to tour again\, I started writing like a madman.&rdquo\; He eventually had a collection of songs\, revealing what would become Henry St\, an album that sees Matsson exploring his own stubborn optimism and &ldquo\;how to be a person in this world&rdquo\;.</span><br />\n<br />\n<span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">After 2015&#39\;s&nbsp\;</span><em>Dark Bird Is Home</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">\, described by Pitchfork as his &quot\;most personal record... surreal and dreamlike\,&quot\; and his self-released&nbsp\;</span><em>I Love You</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">\,&nbsp\;</span><em>It&rsquo\;s a Fever Dream</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">&nbsp\;in 2019\, Kristian Matsson returned in 2022 with the intricate cover album&nbsp\;</span><em>Too Late for Edelweiss</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">. In 2023\, he unveiled his sixth album\,&nbsp\;</span><em>Henry St</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">.\, marking the first time he recorded with a full band. &ldquo\;For most of my career\, I&rsquo\;ve been a DIY artist\, driven by the feeling that I didn&rsquo\;t know what I was doing\, so I just handled everything myself\,&rdquo\; Matsson explained. But with&nbsp\;</span><em>Henry St</em><span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">.\, he craved the creative spark that comes from collaboration and invited his friends to join him in the studio.</span><br />\n<br />\n<span style="color:rgb(0\, 0\, 0)\; font-family:arial\,helvetica\,sans-serif\; font-size:16px">Critics often draw comparisons between The Tallest Man on Earth and Bob Dylan\, citing similarities in both songwriting and vocal style. Matsson himself has acknowledged Dylan&#39\;s influence\, revealing that he started listening to him at the age of fifteen. Fascinated by Dylan&#39\;s covers\, he delved into their origins\, which gradually introduced him to early American folk artists like Pete Seeger and Woody Guthrie. However\, Matsson is quick to distance himself from being part of any specific tradition\, stating\, &ldquo\;I don&rsquo\;t want to be part of a tradition. I just want to do what feels natural to me. This is how I play\, and this is how I write songs&quot\;.</span>
LOCATION:Wachholz College Center @ Flathead Valley Community College
UID:e.148.76115
SEQUENCE:3
DTSTAMP:20260422T170131Z
URL:https://business.whitefishchamber.org/events/details/the-tallest-man-on-earth-76115
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